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Category:
Film and history
Film and history
,
Peaky Blinders
,
Popular culture
,
Television
Underground lives: ‘Peaky Blinders’ and depicting histories of post-World War I Britain
1968
,
Aboriginal activism
,
African-American history
,
Anti-racism
,
Australian history
,
Black power
,
Colonial/Postcolonial History
,
Contemporary history
,
Feminism
,
Film
,
Film and history
,
Indigenous activism
,
Internationalism
,
Marlene Cummins
,
New Left
,
Racial discrimination
,
Uncategorized
,
Women’s history
,
Women’s liberation
#BlackPantherWoman: Black Power, gender and limits of transnationalism – a guest post by Jon Piccini
American history
,
Boardwalk Empire
,
British History
,
Crime
,
Criminology
,
FBI
,
Female suffrage
,
Film and history
,
First World War
,
Irish terrorism
,
Northern Ireland
,
Peaky Blinders
,
Popular culture
,
Prohibition
,
Television
,
US history
,
Women’s liberation
Crime, Masculinity and the Post-War Era in Peaky Blinders and Boardwalk Empire
Announcements
,
British History
,
Contemporary history
,
Film
,
Film and history
,
Historical methods
,
Historiography
,
Journal announcements
,
Popular culture
,
Punk
,
Television
,
Thatcherism
,
The Young Ones
,
Youth culture
New article: Thatcherism and The Young Ones
Announcements
,
British History
,
Contemporary history
,
Film
,
Film and history
,
Media appearances
,
Papers/Seminars
,
Popular culture
,
Popular memory
,
Public service announcements
,
Punk
,
Television
,
Thatcherism
,
The Young Ones
,
Youth culture
The Conversation (UK) On Rik Mayall, The Young Ones and Thatcher
British History
,
Film
,
Film and history
,
Popular culture
,
Popular memory
,
Punk
,
Television
,
Thatcherism
,
The Young Ones
,
Youth culture
In tribute to Rik Mayall: The Young Ones, Thatcherism and the People’s Poet
Blackadder
,
British History
,
Britishness
,
Deleuze
,
Film
,
Film and history
,
First World War
,
Historical methods
,
Historiography
,
Modern European History
,
Nationalism
,
Popular culture
,
Popular memory
,
The Guardian
,
Tories
Mr Gove, film can never replicate historical ‘truth’
Archives
,
Chris Marker
,
Contemporary history
,
Control
,
Deleuze
,
Film
,
Film and history
,
Historical methods
,
Historiography
,
Joy Division
,
Rashomon
,
Research
,
Sans Soleil
,
Television
Why studying film helped me become a better historian
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